[quote name="Spirit Crusher"]What do you expect? The bass overpowering everything? After all, metal is still mostly guitardriven music...a good bassist (or every musician for that matter)plays what benefits the song most[/quote]I guess I expected the instrument to be different that what it is.
[quote name="Tyreese BIGGUMS"]
well for one, you just keep showing your retardation...webster writes most of the cc material now-a-days, and obviously he's coming up with everything on bass first and foremost. I believe he also wrote or co-wrote like half of the blotted science record too. cynic, malone was actually a session hard-on bearer who happened to be around the studio at the time of the recording of "focus" and iirc he came up with a majority of the basslines in like 3 or 4 days cos they needed to get the record done. not to mention steve harris, who writes a heavy majority (I think in maiden's entire catalogue he only doesn't have writing credits on like 10 songs) of the material - is also the bass player, writing all guitar parts on his acoustic bass.
sadus, death, etc - steve digiorgio is a beast and his fretless ALWAYS stands out in the mix. shit, every death album from human until tsop had basslines that digiorgio wrote or co-wrote (even if he didn't play on anything other than human and itp.) control denied was basically tsop pt2 - and it shows, as steve is showing off all over the place there. sadus is his band so he had control of his basslines. quo vadis' "defiant imagination" (and scariot's "momentum shift", for that matter) have him extremely high in the mix, basically controlling everything with his fretless. the testament record wasn't mixed too well, the bass is basically buried - but any live performance with digiorgio is full of bass win.
I could go absolutely on and on for days but you're already shown, time and time again, how basically retarded you are. bass isn't primarily designed to be a lead instrument, not in a metal context anyway. obviously the majority is going to be "minor parts" you dolt, cos bass is supposed to hold the low-end and connect the rhythm guitars with the drums and be that bridge. ofc there's exceptions (like webster or digiorgio etc etc) but the majority, you won't find them playing much more than roots and some fills. obviously you can make your own path as a metal bassist but most of them, especially nowadays, just sit in the back and be in the pocket and hold down the groove with the drums. you want to sit there and play random notes, out of time and off beat, then be a guitar player and practice sweeps all day. you want to be an essential hard-on bearer in the band, be the bass player. shitty guitarists are a dime-a-dozen. extremely good bass players who know their role in the band and can adapt to any situation, only come every once in a while.[/quote]
Then I guess I don't like bass guitar, but bass as a function.
I like what the bass players in Shrum did. That's the kind of bass I like. Thunderous, full of presence. Truly a "bass" guitar. ie a guitar that plays in the bass range.
The bass in metal is meh. I don't like the sound of the bass in just about all metal. One of the reasons I quit bass. I just don't like the sound of bass. It works in certain parts, but again, I guess I just expect something else of the instrument.
When I listen to Death I only hear the bass at a few times, or when I really try to hear it. It's over powered by the guitars.
I guess its role in music is what people say, an enhancer, rather than a legitimate instrument.
If I could get a shrum type sound, that would be cool, but I guess I just like guitar.
Call me what you wish. Does make you look like an idiot though. I'm tired of the childish internet shenanigans.
